In Surrey, England","description_source":"local","content_urls":{"desktop":{"page":"https://en.wikipedia.org/wiki/Richmond_Theatre_(Surrey)","revisions":"https://en.wikipedia.org/wiki/Richmond_Theatre_(Surrey)?action=history","edit":"https://en.wikipedia.org/wiki/Richmond_Theatre_(Surrey)?action=edit","talk":"https://en.wikipedia.org/wiki/Talk:Richmond_Theatre_(Surrey)"},"mobile":{"page":"https://en.m.wikipedia.org/wiki/Richmond_Theatre_(Surrey)","revisions":"https://en.m.wikipedia.org/wiki/Special:History/Richmond_Theatre_(Surrey)","edit":"https://en.m.wikipedia.org/wiki/Richmond_Theatre_(Surrey)?action=edit","talk":"https://en.m.wikipedia.org/wiki/Talk:Richmond_Theatre_(Surrey)"}},"extract":"The Richmond Theatre was

Laudianism, also called Old High Churchmanship, or Orthodox Anglicanism as they styled themselves when debating the Tractarians, was an early seventeenth-century reform movement within the Church of England that tried to avoid the extremes of Roman Catholicism and Puritanism by building on the work of Richard Hooker, and John Jewel and was promulgated by Archbishop William Laud and his supporters. It rejected the predestination upheld by Calvinism in favour of free will, and hence the possibility of salvation for all men through objective work of the sacraments. Laudianism had a significant impact on the Anglican high church movement and its emphasis on the sacraments, personal holiness, beautiful liturgy, and the episcopate. Laudianism was the culmination of the move to Arminianism in the Church of England, and led directly to the Caroline Divines, of which Laud was one of the first. The expression of this since the Oxford movement is often called Central churchmanship.

The Richmond Theatre was a theatre located in Richmond, Surrey, England. It was built in 1765 under the supervision of David Garrick. It was one of Surrey's major theatres for nearly 120 years. The theatre was originally named The New Theatre on Richmond Greene and opened on 15 June 1765. The actor Edmund Kean was manager of the theatre from 1831 until his death in 1833. Its management changed hands several times before the theatre was finally demolished in 1884.